CD I – The Paris Demonstrations: Metropole Orchestra.
SET I:
1: N1 (First Obligatory, Throwing Out Arms)
2: N2 (Second Obligatory, First March, Salute)
3: N3 (Third Obligatory, March Forward, Arms Forward)
4: N3bis (Fourth Obligatory, Counting)
5: N4 (Fifth Obligatory, Note Values, Sun)
6: N5 (Sixth Obligatory, Mazurka)
7: N6 (Central Group, Old Group, Initiation of a Priestess)
SET II:
8: N7 (Dervishes with Hatchets, Ho-Ya)
9: N8 (The Great Prayer, The Big Prayer, Dervishes with Counting)
10: N9 (The First Dervish Prayer, Camel’s Step)
11: N10 (Trembling Dervish, Warrior Dervish, Vertical)
12: N11 (Funeral of a Dervish, Funeral Ceremony)
13: N20 (Big Group)
14: N21/ N21bis (The Big Seven, Canon of Seven, 7)
15: N27 (Turning)
CD II – The Paris Demonstrations: Metropole Orchestra.
SET III:
1: N18 (The Spinners)
2: N19 (The Shoemaker)
3: N26 (Rugs, Rug Weaving #2, Carpet Weaving)
4: N12 (The Sacred Goose, Geese, Swans)
5: N13 (Oriental Dance, Woman’s Dance in A - minor)
6: N14 (Essentuki Obligatory, Prayer No. 1, Chords)
7: N14bis (The Waltz)
8: N15 (Essentuki Women’s Dance in G Minor, Women of Essentuki)
9: N23 (Greek Chorovod, Music for the Greek Round)
10: N24 (Big Chorovod, Women’s Round Dance, Caucasian Round)
11: N25 (Pithia, Pythoness)
Here ends the program from the Théatre des Champs - Élysées.
ADDENDA
12: N0 (Marche, Entrance March + Chords)
13: N10 1/2 (Introduction)
14: N16 (Les Automates)
15: N17 (The Fall of the Priestess, Polyrhythms)
16: N22 (Round Dance in G – minor, Wine Dance)
17: N25bis (Clapping)
18: N27 1/2
19: N28 (Lezginka)
20: N29 (Armenian Dance ‘Lily’)
21: N30 (Black Magician)
22: N31 (Tempo di Valse)
23: N32 (Pilgrims)
24: N33 (Arabian Dance)
25: N34 (Untitled Dance)
26: N35 (Turkish Dance)
CD III - The American Demonstrations: The Little Orchestra.
SET I:
1: N1 (First Obligatory, Throwing Out Arms)
2: N2 (Second Obligatory, First March, Salute)
3: N3 (Third Obligatory, March Forward, Arms Forward)
4: N3bis (Fourth Obligatory, Counting)
5: N4 (Fifth Obligatory, Note Values, Sun)
6: N5 (Sixth Obligatory, Mazurka)
7: N6 (Central Group, Old Group, Initiation of a Priestess)
SET II:
8: N7 (Dervishes with Hatchets, Ho-Ya)
9: N8 (The Great Prayer, The Big Prayer, Dervishes With Counting)
10: N9 (The First Dervish Prayer, Camel’s Step)
11: N10 (Trembling Dervish, Warrior Dervish, Vertical)
12: N11 (Funeral of a Dervish, Funeral Ceremony)
13: N20 (Big Group)
14: N21/ N21bis (Canon of Seven, The Big Seven)
CD IV – The American Demonstrations: The Little Orchestra.
SET III:
1: N27 (Turning)
2: N12 (The Sacred Goose, Geese, Swans)
3: N13 (Woman’s Dance in A - minor, Oriental Dance)
4: N14 (Essentuki Obligatory, Woman’s Dance #2)
5: N14bis (The Waltz)
6: N15 (Essentuki Women’s Dance in G Minor, Women of Essentuki)
7: N18 (The Spinners)
8: N19 (The Shoemaker)
9: N26 (Rugs, Rug Weaving #2, Carpet Weaving)
10: N23 (Greek Chorovod, Music for the Greek Round)
11: N24 (Big Chorovod, Women’s Round Dance, Caucasian Round)
12: N25 (Pithia, Pythoness)
Here ends the program from the American demonstration.
ORIENTAL SUITE (1956) –Metropole Orchestra
13: I - Song of the Aïsors
14: II - Seid Dance (a.k.a. Caucasian Dance, Sayyid Dance)
15: III - Song of the Fisherwomen
16: IV - Bagpipe Music (a.k.a. Duduki)
17: V - Tibetan Masked Dance (a.k.a. Tibetan Masks No. 2)